The 2014 edition of the Americana Music Festival rolled in to day 3 with arguably the deepest talent pool performing on the same night in Festival history. Where else could you find a great Americana artist like Allison Moorer, newcomers Sons of Bill and veteran performer Suzy Bogguss performing on the same night, at the same time in three separate venues? Only in Nashville, and only at the Americana Music Festival.
So it was off to 3rd and Lindsley for an 8:00 set by Suzy Bogguss that kicked off day 3. In February 2014, Suzy released Lucky (Loyal Duchess Records), an album in tribute to the great Merle Haggard. Suzy's performance included many songs off this album, including such Haggard classics as "Silver Wings", "Let's Chase Each Other 'Round The Room Tonight", and the seminal "Today I Started Loving You Again." A regular presence on country radio in the 1990's, Suzy worked in a couple of her own hits as well and to her credit, those hits were written by those who would be considered among the pillars of Americana. "Someday Soon", written by Ian Tyson, has been a hit several times over, was most recently was a hit for Suzy back in 1991. "Drive South", from her Voices in the Wind album was a top 5 hit for Suzy in 1992 and written by John Hiatt. Suzy was a great presence back in those days, and still carries a voice like a songbird today. While Suzy has been releasing great albums over the last number of years, Lucky could be considered her second official Americana release and is well worth your time.
Following Suzy, it was off to The Rutledge to catch Lauren Shera. A relative newcomer to the Americana scene, Lauren is no stranger to the stage. Fresh off a European tour supporting her latest release Gold and Rust (DigSin), Lauren delivered a beautiful set to The Rutledge crowd. This young lady is an artist on the rise. The haunting lyrics and tight musical arrangement of "Hell's Bells" grab the listener's attention and hold them in place until Lauren is ready to let you go. A 45 minute set is not nearly enough to travel the depth of this young lady's journey, but it is enough to bring you back for more. Of the new acts that were involved in this festival, Lauren Shera is at the top of the 2014 class.
Speaking of acts at the top of the class, the closing group at the Mercy Lounge this Friday night had tongue's wagging days before their set. The Brothers Landreth are the latest group to emerge from the fertile musical landscape of Winnipeg, Manitoba Canada. Performing tracks from their upcoming 2015 release Let It Lie (Slate Creek Records), the Brothers Landreth delivered an impressive set to a crowd that consisted of many executives from the music industry along with the general public. At the conclusion of the set, all emerged as huge fans and huge believers in the potential and future of this band. Listening to tracks like "Tapping on the Glass", and the crowd pleasing "Runaway Train", this listener and writer believes the sky is the limit for this group. The musicianship is stellar, the lyrics are tight and the sound is engaging. With their upcoming album release, a record label and team that believe in their music and potential, and an ever-growing fan base (which includes famed BBC broadcaster Bob Harris), The Brothers Landreth are the band to watch in late 2014 and 2015.
Wednesday, September 24, 2014
Friday, September 19, 2014
Americana Music Festival 2014 - Day 2 Roundup
We're in full swing now down in Nashville, as the first full conference day and evening showcases are in the books. Deals are being signed, relationships are being developed, beer is being drank, awesome music is being played and we're having a blast.
For this guy, the evening kicked off at the High Watt for a 9:00pm set with Americana newcomer Angaleena Presley. You'll recall in yesterday's recap that Angaleena presented Loretta Lynn with her lifetime achievement award, but on this night it was all about Angaleena. Stepping out of the shadows of her Pistol Annie's persona, Angaleena showed the Nashville crowd that she's no slouch on stage and can easily run with her Annie's cohorts. Performing a set that included 11 out of the 12 tracks from her upcoming debut album "American Middle Class," Angaleena and her fantastic backing band rocked the High Watt with an outstanding set. The album itself is the story of Angaleena Presley so far. An artist of the highest order, this young lady does it all - singer, songwriter and musician. I had the good fortune to chat with Angaleena in a pre-show meet and greet where I told her that I think she will be on this scene for a very long time. If last nights show and upcoming album are any indication, that's the safest bet I've ever made.
Following Angaleena on the High Watt stage were Knoxville's own The Black Lillies. I caught this group a couple of years ago at the Basement and things have been going quite well for the Lillies since then. As solid and hard working band as you will ever find, they are touring extensively throughout the northeast United States this fall. Following the Black Lillies was an artist that I had not heard before, but will be checking him out in the future. Israel Nash is on tour supporting his new album "Rain Plains", which is receiving great reviews and I can see why. He's got a great sound, solid writing and musicianship, and a top rate backing band. These two acts and their sets complimented each other well, both have an outstanding sound and love for what they do onstage.
A change in venue led me over to 3rd and Lindsley for an artist who is no stranger to the Americana scene. The Paul Thorn Band closed things out with a midnight set that just brought the house down. Performing his unique blend of country, mixed with a little rock and Mississippi Delta Blues, the crowd was up dancing and singing along to whatever the band was offering. A new song was introduced, its title inspired by an elderly lady attending the same church. "Too Blessed To Be Stressed" is a catchy song with a fantastic message to just enjoy life and be thankful. The sets final song was both audience participation and singalong, as Paul came offstage and joined the audience on the dance floor to sing "Take My Love With You Everywhere You Go." It was a great set from a veteran artist that I had been hoping to catch for some time. It was well worth the wait.
And, speaking of waiting, that's what will have to happen until tomorrow for the Day 3 Roundup. Have a great day, enjoy everyone!
For this guy, the evening kicked off at the High Watt for a 9:00pm set with Americana newcomer Angaleena Presley. You'll recall in yesterday's recap that Angaleena presented Loretta Lynn with her lifetime achievement award, but on this night it was all about Angaleena. Stepping out of the shadows of her Pistol Annie's persona, Angaleena showed the Nashville crowd that she's no slouch on stage and can easily run with her Annie's cohorts. Performing a set that included 11 out of the 12 tracks from her upcoming debut album "American Middle Class," Angaleena and her fantastic backing band rocked the High Watt with an outstanding set. The album itself is the story of Angaleena Presley so far. An artist of the highest order, this young lady does it all - singer, songwriter and musician. I had the good fortune to chat with Angaleena in a pre-show meet and greet where I told her that I think she will be on this scene for a very long time. If last nights show and upcoming album are any indication, that's the safest bet I've ever made.
Following Angaleena on the High Watt stage were Knoxville's own The Black Lillies. I caught this group a couple of years ago at the Basement and things have been going quite well for the Lillies since then. As solid and hard working band as you will ever find, they are touring extensively throughout the northeast United States this fall. Following the Black Lillies was an artist that I had not heard before, but will be checking him out in the future. Israel Nash is on tour supporting his new album "Rain Plains", which is receiving great reviews and I can see why. He's got a great sound, solid writing and musicianship, and a top rate backing band. These two acts and their sets complimented each other well, both have an outstanding sound and love for what they do onstage.
A change in venue led me over to 3rd and Lindsley for an artist who is no stranger to the Americana scene. The Paul Thorn Band closed things out with a midnight set that just brought the house down. Performing his unique blend of country, mixed with a little rock and Mississippi Delta Blues, the crowd was up dancing and singing along to whatever the band was offering. A new song was introduced, its title inspired by an elderly lady attending the same church. "Too Blessed To Be Stressed" is a catchy song with a fantastic message to just enjoy life and be thankful. The sets final song was both audience participation and singalong, as Paul came offstage and joined the audience on the dance floor to sing "Take My Love With You Everywhere You Go." It was a great set from a veteran artist that I had been hoping to catch for some time. It was well worth the wait.
And, speaking of waiting, that's what will have to happen until tomorrow for the Day 3 Roundup. Have a great day, enjoy everyone!
Thursday, September 18, 2014
Americana Music Festival 2014 - Day 1 Roundup and Awards Recap
The 2014 edition of the Americana Music Festival kicked off in grand fashion last night deep in the heart of Music City. The 13th Annual Americana Music Association Awards ceremony ushered in the first of four nights of artists from around the globe performing the best music on the planet.
In what should really be no surprise, the award night belonged to Jason Isbell, who made it a clean sweep when he won all three award categories he was nominated in. Recognizing the enormous year Isbell had, Jason walked away with honors for Song of the Year for "Cover Me Up", Album of the Year for the incomparable "Southeastern", and the top award for Artist of the Year. Country music is in good hands, especially with Emerging Artist winner Sturgill Simpson at the helm. The Milk Carton Kids were nominated in the Emerging Artist category last year, this year they walked away with the Duo or Group of the Year Award. Buddy Miller was once again recognized as the Instrumentalist of the Year, and received his award from another great instrumentalist, Mr. Vince Gill.
As is the norm at the Americana Music Association Awards, legends that have blazed the trail for other artists to follow were recognized with Lifetime Achievement Awards. Latino instrumentalist Flaco Jiminez, blues legend Taj Mahal and singer-songwriter Jackson Browne received honors for their work and dedication to their craft. It's always special attending these awards at the Ryman Auditorium, as it's not everyday you will get to see Taj Mahal and the house band jamming away on a blues standard, or Jackson Browne performing with another legendary songwriter J. D. Souther at the middle of the Ryman stage. However, for this writer, the most special moment of the night occurred during the shows' opening minutes.
If there was one artist in country music history that clearly holds the role of "trailblazer", it's Loretta Lynn. Writing and recording her own music, driving thousands and thousands of miles to sing and deliver her songs to radio stations, all of this while female country music singers were seldom heard, if not outright discouraged from performing, Ms. Lynn is the epitomizes the role of legend. This fact was not lost on two young newcomers, Kacey Musgraves and Angaleena Presley, as they struggled to keep their emotions in check when presenting Ms. Lynn with her Lifetime Achievement Award. And the tears were more than welcome, as everyone in attendance recognized the significance of what we were witnessing. Sitting at the Ryman Auditorium, watching the latest generation of female country music singers honoring one of their heroes, and then watching Ms. Lynn stand at the middle of the Ryman stage to sing "Coal Miner's Daughter" is one of those moments that money cannot buy. You can't put a price tag on it. It is one of those moments that reminds you of why we do what we do. A moment I will not forget.
Post-awards, it was off to the showcase performances at several venues around town. I attended two sets on this evening, the first being Shinyribs at the High Watt. This high energy show was the perfect kick off to the festival portion of the events this week. These guys were having a blast on stage, with singer Kevin Russell leading the way. You don't often see a big man move like this guy does, but it's infectious. "East Texas Rust" and "Poor People's Store" were killer performances and the crowd responded accordingly.
Playing an extended set in the Cannery were the Hard Working Americans, led by Todd Snider and joined on stage by special guest Elizabeth Cook. From the moment they stepped on stage, it's clear Todd Snider was born to entertain. This performance was one of those rare shows that takes on a life of it's own. The energy in the Cannery was nothing short of electric. The band on stage was at the top of their game, and the audience was giving everything they had right back. It's one of those clear nights where artist and audience were feeding off each other, and it took the show to a whole new level. Playing a roughly two hour set, the Hard Working Americans set the bar very high right off the bat. I can't wait to see who will step up and try to reach it ... it was only day 1, after all.
In what should really be no surprise, the award night belonged to Jason Isbell, who made it a clean sweep when he won all three award categories he was nominated in. Recognizing the enormous year Isbell had, Jason walked away with honors for Song of the Year for "Cover Me Up", Album of the Year for the incomparable "Southeastern", and the top award for Artist of the Year. Country music is in good hands, especially with Emerging Artist winner Sturgill Simpson at the helm. The Milk Carton Kids were nominated in the Emerging Artist category last year, this year they walked away with the Duo or Group of the Year Award. Buddy Miller was once again recognized as the Instrumentalist of the Year, and received his award from another great instrumentalist, Mr. Vince Gill.
As is the norm at the Americana Music Association Awards, legends that have blazed the trail for other artists to follow were recognized with Lifetime Achievement Awards. Latino instrumentalist Flaco Jiminez, blues legend Taj Mahal and singer-songwriter Jackson Browne received honors for their work and dedication to their craft. It's always special attending these awards at the Ryman Auditorium, as it's not everyday you will get to see Taj Mahal and the house band jamming away on a blues standard, or Jackson Browne performing with another legendary songwriter J. D. Souther at the middle of the Ryman stage. However, for this writer, the most special moment of the night occurred during the shows' opening minutes.
If there was one artist in country music history that clearly holds the role of "trailblazer", it's Loretta Lynn. Writing and recording her own music, driving thousands and thousands of miles to sing and deliver her songs to radio stations, all of this while female country music singers were seldom heard, if not outright discouraged from performing, Ms. Lynn is the epitomizes the role of legend. This fact was not lost on two young newcomers, Kacey Musgraves and Angaleena Presley, as they struggled to keep their emotions in check when presenting Ms. Lynn with her Lifetime Achievement Award. And the tears were more than welcome, as everyone in attendance recognized the significance of what we were witnessing. Sitting at the Ryman Auditorium, watching the latest generation of female country music singers honoring one of their heroes, and then watching Ms. Lynn stand at the middle of the Ryman stage to sing "Coal Miner's Daughter" is one of those moments that money cannot buy. You can't put a price tag on it. It is one of those moments that reminds you of why we do what we do. A moment I will not forget.
Post-awards, it was off to the showcase performances at several venues around town. I attended two sets on this evening, the first being Shinyribs at the High Watt. This high energy show was the perfect kick off to the festival portion of the events this week. These guys were having a blast on stage, with singer Kevin Russell leading the way. You don't often see a big man move like this guy does, but it's infectious. "East Texas Rust" and "Poor People's Store" were killer performances and the crowd responded accordingly.
Playing an extended set in the Cannery were the Hard Working Americans, led by Todd Snider and joined on stage by special guest Elizabeth Cook. From the moment they stepped on stage, it's clear Todd Snider was born to entertain. This performance was one of those rare shows that takes on a life of it's own. The energy in the Cannery was nothing short of electric. The band on stage was at the top of their game, and the audience was giving everything they had right back. It's one of those clear nights where artist and audience were feeding off each other, and it took the show to a whole new level. Playing a roughly two hour set, the Hard Working Americans set the bar very high right off the bat. I can't wait to see who will step up and try to reach it ... it was only day 1, after all.
Wednesday, September 17, 2014
Meanwhile, Back in Nashville ...
I woke up this morning in the great city of Nashville, Tennessee with the realization that two months is wayyyy too long between writings. There have been so many of you reading the old stuff, which is absolutely wonderful. Thanks for keeping it going!
The 15th edition of the Americana Music and Festival and Conference kicks off today, and what a week it is shaping up to be. There are many indicators as to the new heights that the Americana genre is reaching, not the least of which is the significant increase in attendance at this year's Conference and the expansion of the Festival to include City Winery as a performance venue. The addition of a special concert this Saturday at Riverfront Park featuring the Avett Brothers with guests Shakey Graves, Angaleena Presley and The Lone Bellow is a huge addition to the festivities.
Kicking things off tonight is the 13th annual Americana Music Association Honors and Awards show which will see the best in Americana get their just recognition, and will witness all time greats such as Jackson Browne and Loretta Lynn receive Lifetime Achievement honors for their contribution to the growth of American music.
And of course, once we get through all of the conference panel sessions through the day, we get to the reason why we're all here and that's the music. The nightly showcase performances will satisfy any musical hunger you could possibly have. From artists that have had mainstream country radio success like Marty Stuart, Suzy Bogguss and the great Lee Ann Womack, to rising stars Sturgill Simpson, Lindi Ortega and Robert Ellis, to festival newcomers such as Matt Andersen and the Caleb Klauder Country Band, a broad range of musical styles and tastes can and will be explored. This is Music City USA, after all.
Some artists I'll be checking out this week are Greensky Bluegrass, the aforementioned Angaleena Presley, Del Barber and Robbie Fulks to name a few. What's great about this festival is that you will find that one artist or that one group where you're not familiar with their music and they will blow your mind. It's the one thing that is guaranteed to happen. Last year for me, that artist was Drew Holcomb and the Neighbours. I can't wait to see who it will be this year.
Starting tomorrow check back for the daily wrap up of the previous night's activities and by all means, if you're not here start making your plans now to join us in Nashville next year. Get on board this train, there is room for everyone.
The 15th edition of the Americana Music and Festival and Conference kicks off today, and what a week it is shaping up to be. There are many indicators as to the new heights that the Americana genre is reaching, not the least of which is the significant increase in attendance at this year's Conference and the expansion of the Festival to include City Winery as a performance venue. The addition of a special concert this Saturday at Riverfront Park featuring the Avett Brothers with guests Shakey Graves, Angaleena Presley and The Lone Bellow is a huge addition to the festivities.
Kicking things off tonight is the 13th annual Americana Music Association Honors and Awards show which will see the best in Americana get their just recognition, and will witness all time greats such as Jackson Browne and Loretta Lynn receive Lifetime Achievement honors for their contribution to the growth of American music.
And of course, once we get through all of the conference panel sessions through the day, we get to the reason why we're all here and that's the music. The nightly showcase performances will satisfy any musical hunger you could possibly have. From artists that have had mainstream country radio success like Marty Stuart, Suzy Bogguss and the great Lee Ann Womack, to rising stars Sturgill Simpson, Lindi Ortega and Robert Ellis, to festival newcomers such as Matt Andersen and the Caleb Klauder Country Band, a broad range of musical styles and tastes can and will be explored. This is Music City USA, after all.
Some artists I'll be checking out this week are Greensky Bluegrass, the aforementioned Angaleena Presley, Del Barber and Robbie Fulks to name a few. What's great about this festival is that you will find that one artist or that one group where you're not familiar with their music and they will blow your mind. It's the one thing that is guaranteed to happen. Last year for me, that artist was Drew Holcomb and the Neighbours. I can't wait to see who it will be this year.
Starting tomorrow check back for the daily wrap up of the previous night's activities and by all means, if you're not here start making your plans now to join us in Nashville next year. Get on board this train, there is room for everyone.
Tuesday, July 15, 2014
TURF 2014 Day 3 Recap and Final Thoughts
The final day of this years' edition of the Toronto Urban Roots Festival kicked off with an early start on Sunday July 6. When I say early, that would be 12:45pm with The Waco Brothers and the Burlington Mens Welsh Choir on the main East Stage, and the Devin Cuddy Band kicking things off at 12:50pm on the South Stage. If you were rocking out at the Horseshoe Tavern or Lee's Palace as part of the TURF Club Bonus Series, then that was early. What can I say, for some folks, Saturday at TURF was a long day ... a good day for sure, but a long day.
Settling in to catch the final half of the Devin Cuddy Band, I realized at that time that I could be seeing the next breakout star in the Americana scene. The son of Jim Cuddy, one half of the lead singing/songwriting partnership with Greg Keelor that makes up the legendary Canadian group Blue Rodeo, Devin is out on his own and creating his own path. Among the many highlights of Devin Cuddy's set, the band performed a great cover of the Hank Williams Sr. classic, "Jambalaya", and a great protest song titled "Afghanistan." Mixing in elements of blues and jazz, with a bit of rock and country, the Devin Cuddy Band is a group that captures all the elements of Americana. Keep your eyes and ears open for Devin Cuddy, this is a young man you will be hearing a lot of over the years.
The hardest working band at this year's TURF had to be the Waco Brothers. Performing their second set in just over 12 hours at the festival (with one more to go that night at the Horseshoe Tavern!), this set was special as it featured the Burlington Welsh Male Chorus. This show had a real intimate feel to it, as the crowd was rather sparse for this performance. This had more to do with the timing of the set, as opposed to the quality of the show ... people still had some hangovers to nurse. As with the previous nights' set by the Waco Brothers, they once again put on a solid show. They have such a good time together on stage, as well as the interaction that lead singer Jon Langford has with the audience, that it's impossible not to share in the fun.
Good things were happening over on the South Stage too, as Seattle, Washington native Noah Gundersen performed a beautiful set. Working an original song, "Stone Cold", and blending it with the Alison Krauss classic "Down to the River to Pray", this young man showed his creativity and musical knowledge. It was performed in stunning fashion. A true highlight of the entire festival was his performance of Neil Young's "Helpless." An incredibly well written song, Noah delivered a stunning performance that would make Mr. Young proud. There was a real sweetness to this set. Noah is on the road with himself and his sister accompanying on vocals and violin. It's a great story, just a brother and his younger sister out on the road, seeing the world and performing their music one stage at a time.
Immediately following Noah was a real veteran of the road, Joe Pug. Always a popular performer in Toronto, Joe warmed up the crowd with familiar favorites like the title cut from "The Great Despiser", his most recent album. We were fortunate to hear that Joe will be releasing a new album in the near future, an album of cover songs. He performed one such track, "She Drives Me Crazy", a hit for the Fine Young Cannibals. Joe Pug is another outstanding songwriter, very deep and creative. Joe mentioned that he may be returning to Toronto in the fall, and I look forward to giving a more fulsome review for this very deserving entertainer. Both Noah and Joe performed the early set later that evening at The Horseshoe Tavern. The crowd in attendance were treated to one of the best sets in the Club Bonus Series for the weekend with these two sharing the stage.
Up next was one of the biggest stars to take a stage at this young festival. Former lead singer for Uncle Tupelo and current leader of Wilco, Jeff Tweedy kicked off a set on the West Stage, performing before one of the largest crowds of the weekend. With a set featuring a his full band (including his son Spencer behind the drum kit), Tweedy kicked off with "Down From Above", a solo track and followed up with "Low Key." "Nobody Dies Anymore" was a really solid performance, but for those in attendance, a real treat was the performance of the Wilco classic, "California Stars." Jeff Tweedy is an American original, a fearless singer-songwriter who was one of the original players in the "alt-country" movement, although really, his music cannot be categorized as anything other than outstanding. Calling what started out as his first solo album in all actuality a duo album (as his son plays drums on the project), Tweedy will be releasing their debut album "Sukierae" on September 23. Click here for a preview and to purchase copies.
Neutral Milk Hotel closed out the Second Annual Toronto Urban Roots Festival, and while I did like what I heard of their set, I did not stay and watch. I will catch one of their shows in the future. Speaking of the future, the promoters have announced this festival will be back next year and I'm sure for many more years to come. I would like to have seen more in the way of attendance, but this is not to suggest the event was not well attended. I believe the artists and performers simply deserved more people. For a second year festival to attract the likes of Gary Clark Jr., the Drive-by Truckers and the aforementioned Jeff Tweedy, is astounding. There is every reason to believe this festival will become a staple of the downtown Toronto summertime. It is a thoroughly enjoyable time and has enough musical variety that every fan of music, regardless of genre, will find something they will like. I look forward to next year and beyond, as the Toronto Urban Roots Festival takes its rightful place among the important music festivals this city has to offer.
Settling in to catch the final half of the Devin Cuddy Band, I realized at that time that I could be seeing the next breakout star in the Americana scene. The son of Jim Cuddy, one half of the lead singing/songwriting partnership with Greg Keelor that makes up the legendary Canadian group Blue Rodeo, Devin is out on his own and creating his own path. Among the many highlights of Devin Cuddy's set, the band performed a great cover of the Hank Williams Sr. classic, "Jambalaya", and a great protest song titled "Afghanistan." Mixing in elements of blues and jazz, with a bit of rock and country, the Devin Cuddy Band is a group that captures all the elements of Americana. Keep your eyes and ears open for Devin Cuddy, this is a young man you will be hearing a lot of over the years.
The hardest working band at this year's TURF had to be the Waco Brothers. Performing their second set in just over 12 hours at the festival (with one more to go that night at the Horseshoe Tavern!), this set was special as it featured the Burlington Welsh Male Chorus. This show had a real intimate feel to it, as the crowd was rather sparse for this performance. This had more to do with the timing of the set, as opposed to the quality of the show ... people still had some hangovers to nurse. As with the previous nights' set by the Waco Brothers, they once again put on a solid show. They have such a good time together on stage, as well as the interaction that lead singer Jon Langford has with the audience, that it's impossible not to share in the fun.
Good things were happening over on the South Stage too, as Seattle, Washington native Noah Gundersen performed a beautiful set. Working an original song, "Stone Cold", and blending it with the Alison Krauss classic "Down to the River to Pray", this young man showed his creativity and musical knowledge. It was performed in stunning fashion. A true highlight of the entire festival was his performance of Neil Young's "Helpless." An incredibly well written song, Noah delivered a stunning performance that would make Mr. Young proud. There was a real sweetness to this set. Noah is on the road with himself and his sister accompanying on vocals and violin. It's a great story, just a brother and his younger sister out on the road, seeing the world and performing their music one stage at a time.
Immediately following Noah was a real veteran of the road, Joe Pug. Always a popular performer in Toronto, Joe warmed up the crowd with familiar favorites like the title cut from "The Great Despiser", his most recent album. We were fortunate to hear that Joe will be releasing a new album in the near future, an album of cover songs. He performed one such track, "She Drives Me Crazy", a hit for the Fine Young Cannibals. Joe Pug is another outstanding songwriter, very deep and creative. Joe mentioned that he may be returning to Toronto in the fall, and I look forward to giving a more fulsome review for this very deserving entertainer. Both Noah and Joe performed the early set later that evening at The Horseshoe Tavern. The crowd in attendance were treated to one of the best sets in the Club Bonus Series for the weekend with these two sharing the stage.
Up next was one of the biggest stars to take a stage at this young festival. Former lead singer for Uncle Tupelo and current leader of Wilco, Jeff Tweedy kicked off a set on the West Stage, performing before one of the largest crowds of the weekend. With a set featuring a his full band (including his son Spencer behind the drum kit), Tweedy kicked off with "Down From Above", a solo track and followed up with "Low Key." "Nobody Dies Anymore" was a really solid performance, but for those in attendance, a real treat was the performance of the Wilco classic, "California Stars." Jeff Tweedy is an American original, a fearless singer-songwriter who was one of the original players in the "alt-country" movement, although really, his music cannot be categorized as anything other than outstanding. Calling what started out as his first solo album in all actuality a duo album (as his son plays drums on the project), Tweedy will be releasing their debut album "Sukierae" on September 23. Click here for a preview and to purchase copies.
Neutral Milk Hotel closed out the Second Annual Toronto Urban Roots Festival, and while I did like what I heard of their set, I did not stay and watch. I will catch one of their shows in the future. Speaking of the future, the promoters have announced this festival will be back next year and I'm sure for many more years to come. I would like to have seen more in the way of attendance, but this is not to suggest the event was not well attended. I believe the artists and performers simply deserved more people. For a second year festival to attract the likes of Gary Clark Jr., the Drive-by Truckers and the aforementioned Jeff Tweedy, is astounding. There is every reason to believe this festival will become a staple of the downtown Toronto summertime. It is a thoroughly enjoyable time and has enough musical variety that every fan of music, regardless of genre, will find something they will like. I look forward to next year and beyond, as the Toronto Urban Roots Festival takes its rightful place among the important music festivals this city has to offer.
Tuesday, July 8, 2014
TURF 2014 Day 2 Recap
An absolutely gorgeous day greeted the thousands in attendance for the second day of the Toronto Urban Roots Festival. Festivites on the South Stage kicked off with Nashville singer-songwriter Caitlin Rose. Most regrettably, I did not arrive in time to catch this set which is unfortunate, as Caitlin was on my list of artists to catch this weekend. I do look forward to attending one of her shows in the future.
So the afternoon, for me anyway, started with award winning duo Shovels and Rope. Still riding high on the success of their second album O' Be Joyful, they are preparing for the August release of their follow up album titled "Swimmin' Time." Judging from the performances of some new songs from the upcoming release and the response of the fans in attendance, Shovels and Rope have another hit on their hands. A wide range seems to be covered on this new album, from relationships as noted in "Pinned", to historical events captured in "Stono River Rebellion" about the slave uprising in the 1700's at that location, to the darker edges of humanity with "The Devil Is All Around." Favorites from O' Be Joyful were not to be ignored, as the crowd was graced with fiery performances of "Birmingham", "Keeper" and the closing number "Hail Hail." There is a sweetness with the chemistry that exists between Michael Trent and Cary Ann Hearst, the husband and wife team that make up Shovels and Rope. It translates in their performance and it resonates with the audience, which had a variety of age ranges. They are the real deal and people will always be attracted to that.
Next up on the East Stage (the main stage) was a band from the "dirty south" that's been rockin' the roads for many years. The Drive-by Truckers are no strangers to Toronto, or Canada for that matter. Kicking off their set with "Birthday Boy" from the album The Big To-Do, the bar was set early for what would be a highlight show at this year's TURF. Next up was Patterson Hood on lead with "Righteous Path." The Truckers have a tremendous advantage, in that they can trade off lead vocals with the aforementioned Hood and Mike Dooley. Both have distinctly different vocals and both work very well with the sound the Truckers have captured. Other fan favorites were "Lookout Mountain" from The Diry South album, as well as "18 Wheels of Love", a true story song about Patterson Hood's mom.
One of the more unique artists to appear at this year's TURF is Pokey LaFarge. Hailing from St. Louis, Missouri, this young man has managed to carve out a solid career by capturing an authentic roots music sound. That's really the only way to describe an artist who's stage attire of that and his band resembled a cross between Hank Williams, Sr. and Jimmie Rodgers, and there's nothing wrong with that. A talented group of musicians they were able to easily sway from rockabilly, as with " Angel Won't You Be Mine" to 1940's jazz with the Hoagie Carmichael classic "Riverboat Shuffle" and his own unique version of the Hank Williams, Sr. classic "Lovesick Blues." LaFarge shows off his songwriting chops with originals "The City Summer Blues" and "Cairo, Illinois." A generous artist, he allows his band members to take their turns front and center for a solo, and each one more than rises to the occasion. Pokey LaFarge is continuing his tour this week with a sold out show in New York City at the Bowery Ballroom, then on to stops in Virginia this weekend.
The final act of the evening was Chicago's own The Waco Brothers, led by Jon Langford, with a special appearance by Sally Timms of the Mekons. The Waco Brothers, for all intents and purposes, were the Iron Horses of TURF this year. They performed on two consecutive days at the festival, as well as performing a late night gig at TURF Club Series at the Horseshoe Tavern. Their energy on stage is infectious. This is a band who loves what they do and the audience just joins in on the fun. Performing with Sally Timms, I caught the Waco Brothers set as they played a solid cover of the Dolly Parton hit "Old Flames", followed by a great singalong to the John Anderson hit "Wild and Blue." It was time to kick it up a notch after these two ballads, so what better way to start than with an ode to Alejandro Escovedo and "Sensitve Boys." Johnny Cash's "Folsom Prison Blues" and The Who's "Teenage Wasteland" found their way in to the set as well. But trust me, this is not a cover band, as I was about to find out with their performance on Sunday, Day 3 of the TURF.
So the afternoon, for me anyway, started with award winning duo Shovels and Rope. Still riding high on the success of their second album O' Be Joyful, they are preparing for the August release of their follow up album titled "Swimmin' Time." Judging from the performances of some new songs from the upcoming release and the response of the fans in attendance, Shovels and Rope have another hit on their hands. A wide range seems to be covered on this new album, from relationships as noted in "Pinned", to historical events captured in "Stono River Rebellion" about the slave uprising in the 1700's at that location, to the darker edges of humanity with "The Devil Is All Around." Favorites from O' Be Joyful were not to be ignored, as the crowd was graced with fiery performances of "Birmingham", "Keeper" and the closing number "Hail Hail." There is a sweetness with the chemistry that exists between Michael Trent and Cary Ann Hearst, the husband and wife team that make up Shovels and Rope. It translates in their performance and it resonates with the audience, which had a variety of age ranges. They are the real deal and people will always be attracted to that.
Next up on the East Stage (the main stage) was a band from the "dirty south" that's been rockin' the roads for many years. The Drive-by Truckers are no strangers to Toronto, or Canada for that matter. Kicking off their set with "Birthday Boy" from the album The Big To-Do, the bar was set early for what would be a highlight show at this year's TURF. Next up was Patterson Hood on lead with "Righteous Path." The Truckers have a tremendous advantage, in that they can trade off lead vocals with the aforementioned Hood and Mike Dooley. Both have distinctly different vocals and both work very well with the sound the Truckers have captured. Other fan favorites were "Lookout Mountain" from The Diry South album, as well as "18 Wheels of Love", a true story song about Patterson Hood's mom.
One of the more unique artists to appear at this year's TURF is Pokey LaFarge. Hailing from St. Louis, Missouri, this young man has managed to carve out a solid career by capturing an authentic roots music sound. That's really the only way to describe an artist who's stage attire of that and his band resembled a cross between Hank Williams, Sr. and Jimmie Rodgers, and there's nothing wrong with that. A talented group of musicians they were able to easily sway from rockabilly, as with " Angel Won't You Be Mine" to 1940's jazz with the Hoagie Carmichael classic "Riverboat Shuffle" and his own unique version of the Hank Williams, Sr. classic "Lovesick Blues." LaFarge shows off his songwriting chops with originals "The City Summer Blues" and "Cairo, Illinois." A generous artist, he allows his band members to take their turns front and center for a solo, and each one more than rises to the occasion. Pokey LaFarge is continuing his tour this week with a sold out show in New York City at the Bowery Ballroom, then on to stops in Virginia this weekend.
The final act of the evening was Chicago's own The Waco Brothers, led by Jon Langford, with a special appearance by Sally Timms of the Mekons. The Waco Brothers, for all intents and purposes, were the Iron Horses of TURF this year. They performed on two consecutive days at the festival, as well as performing a late night gig at TURF Club Series at the Horseshoe Tavern. Their energy on stage is infectious. This is a band who loves what they do and the audience just joins in on the fun. Performing with Sally Timms, I caught the Waco Brothers set as they played a solid cover of the Dolly Parton hit "Old Flames", followed by a great singalong to the John Anderson hit "Wild and Blue." It was time to kick it up a notch after these two ballads, so what better way to start than with an ode to Alejandro Escovedo and "Sensitve Boys." Johnny Cash's "Folsom Prison Blues" and The Who's "Teenage Wasteland" found their way in to the set as well. But trust me, this is not a cover band, as I was about to find out with their performance on Sunday, Day 3 of the TURF.
Saturday, July 5, 2014
TURF 2014: Day 1 Recap
A sun-drenched Friday afternoon greeted the opening day of the second annual Toronto Urban Roots Festival (or by it's moniker TURF) on the grounds of historical Old Fort York. To get a certain amount of irony out of the way, the festival was fortunate enough to have some great artists from the United States performing on their stages on what was the 4th of July. Fort York is a defensive fort that was built by the British and was the site of a few battles between British (Canadian) soldiers and American soldiers in the War of 1812. An invasion of American artists and musicians ... that kind we'll happily take! Anyhow, enough history for today ...
The festival kicked off mid-afternoon with folk/Americana singer-songwriter Tift Merritt taking the South Stage and later joining Andrew Bird over on the West Stage. Andrew Bird was the first artist I was able to catch yesterday ... a little thing called my paying job pre-empted my earlier arrival. Admittedly, I was not familiar with Andrew Bird's music, but I walked away a fan. An unbelievably gifted musician and vocalist, Andrew Bird has the ability to captivate an audience from the moment you first hear him. What this gentleman can do with a violin is eye-opening. At one point I thought I could hear a mandolin on stage, but there was none to be found ... it was Andrew Bird strumming the violin that gave that sound. On the road to support his latest release "Things Are Really Great Here, Sort Of ... ", Bird is worthy of your attention. And he's getting attention to be sure, as his song "Pulaski At Night", is featured in the Season 2 premiere of Orange is the New Black. I will be watching out for Andrew Bird to catch a future performance.
As the afternoon wore on to the evening, another act I was not familiar with performed on the festival's South Stage. Deer Tick is a roots-rock outfit from Providence, Rhode Island, and they have acquired quite a following over the years. The large crowd gathered at the stage was a youthful and exhuberant bunch, dancing the night away. Several tunes prompted a sing-along with the crowd, including a great cover of the Richie Valens' classic, "La Bamba." This group put on a great, energetic performance with a sound reminiscent of another great roots-rock, alt-country act, The Bottle Rockets. Veterans of the road, they are on tour to support their new album Negativity, and more than set the table for the nights closing act on the South Stage.
Hailing from Austin, Texas, Black Joe Lewis is from the musical breadbasket of North America. An outstanding guitar player, he brought his unique style of super-charged blues to the opening night of TURF 2014. Performing with a stellar back up band, complete with horn section, Black Joe tore up the stage playing new tracks off his latest release Electric Slave, including "Come To My Party" and "Skulldiggin." "Black Sin" and "Booty City" were popular cuts with the crowd, who by this time must have been feeling like they've been put through the ringer with so many high energy performances by this time, but in a good way.
For the first day and night of TURF 2014, the show of the day surely had to be the performance of Gary Clark, Jr. Performing earlier in the evening, Gary Clark, Jr. set a fairly high bar early in the festival for those to follow. It would not be a stretch to say that this gentleman is one of the best guitar players in the world today. One can tell he is a pure, natural, musician and artist. The large crowd that was gathered for the show was treated to a masterful performance. Watching and listening to Gary Clark, Jr. perform such tunes as "Next Door Neighbour Blues", "Bright Lights" and the title track to his latest release "Blak and Blu", it's not a long stretch to say that he has completed the impossible task of melding elements of Muddy Waters with the guitar prowess of Jimi Hendrix. He manages to mix in elements of Motown with his GRAMMY winning hit "Please Come Home." The fact that he's only 30 years old is even more astounding when you consider the talent level. Mr. Clark will be around for a very long time, and the sky is the limit as to where this young man's talent will take him.
What adventures will day 2 bring? Find out tomorrow, or better still, join me and the many thousands at Old Fort York in downtown Toronto, Ontario!
The festival kicked off mid-afternoon with folk/Americana singer-songwriter Tift Merritt taking the South Stage and later joining Andrew Bird over on the West Stage. Andrew Bird was the first artist I was able to catch yesterday ... a little thing called my paying job pre-empted my earlier arrival. Admittedly, I was not familiar with Andrew Bird's music, but I walked away a fan. An unbelievably gifted musician and vocalist, Andrew Bird has the ability to captivate an audience from the moment you first hear him. What this gentleman can do with a violin is eye-opening. At one point I thought I could hear a mandolin on stage, but there was none to be found ... it was Andrew Bird strumming the violin that gave that sound. On the road to support his latest release "Things Are Really Great Here, Sort Of ... ", Bird is worthy of your attention. And he's getting attention to be sure, as his song "Pulaski At Night", is featured in the Season 2 premiere of Orange is the New Black. I will be watching out for Andrew Bird to catch a future performance.
As the afternoon wore on to the evening, another act I was not familiar with performed on the festival's South Stage. Deer Tick is a roots-rock outfit from Providence, Rhode Island, and they have acquired quite a following over the years. The large crowd gathered at the stage was a youthful and exhuberant bunch, dancing the night away. Several tunes prompted a sing-along with the crowd, including a great cover of the Richie Valens' classic, "La Bamba." This group put on a great, energetic performance with a sound reminiscent of another great roots-rock, alt-country act, The Bottle Rockets. Veterans of the road, they are on tour to support their new album Negativity, and more than set the table for the nights closing act on the South Stage.
Hailing from Austin, Texas, Black Joe Lewis is from the musical breadbasket of North America. An outstanding guitar player, he brought his unique style of super-charged blues to the opening night of TURF 2014. Performing with a stellar back up band, complete with horn section, Black Joe tore up the stage playing new tracks off his latest release Electric Slave, including "Come To My Party" and "Skulldiggin." "Black Sin" and "Booty City" were popular cuts with the crowd, who by this time must have been feeling like they've been put through the ringer with so many high energy performances by this time, but in a good way.
For the first day and night of TURF 2014, the show of the day surely had to be the performance of Gary Clark, Jr. Performing earlier in the evening, Gary Clark, Jr. set a fairly high bar early in the festival for those to follow. It would not be a stretch to say that this gentleman is one of the best guitar players in the world today. One can tell he is a pure, natural, musician and artist. The large crowd that was gathered for the show was treated to a masterful performance. Watching and listening to Gary Clark, Jr. perform such tunes as "Next Door Neighbour Blues", "Bright Lights" and the title track to his latest release "Blak and Blu", it's not a long stretch to say that he has completed the impossible task of melding elements of Muddy Waters with the guitar prowess of Jimi Hendrix. He manages to mix in elements of Motown with his GRAMMY winning hit "Please Come Home." The fact that he's only 30 years old is even more astounding when you consider the talent level. Mr. Clark will be around for a very long time, and the sky is the limit as to where this young man's talent will take him.
What adventures will day 2 bring? Find out tomorrow, or better still, join me and the many thousands at Old Fort York in downtown Toronto, Ontario!
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